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Topeng Pajegan -
Barong Kedingkling -
Wayang Wong -

Gambuh is one of the types of courtly dance-drama mentioned in the old record is a 'bebali' performance which performed in connection of odalan and other important religious occasion but a different, somewhat lower level of sanctity from the inner temple dances.

It's performed to entertain the divinities present as well as the human spectators. This dance is performed in the second temple courtyard and performed without masks.

In gambuh aspects of the manners and ideals of the sophisticated courtiers of the Majapahit era are preserved, as well as music, choreographic ideas, and highly refined literature of the period.

Archaic, formal, and very stately, gambuh is accompanied by a unique music dominated by wailing flutes and is presented by grave dancers-actors who chant and intone their lengthy speeches.

Gambuh is also a great importance in Balinese Dance because of its influence on later forms such as Topeng, Wayang Wong, Arja, Legong, and Baris Melampahan.

Gambuh stories are usually taken from a long romantic poem called 'Malat', which is made up of a set of tales concerning the adventures of handsome Prince Panji Inu Kertapati and his destined bride, Princess Candra Kirana.

The language spoken by the principal characters in the drama is the language of the old poem itself, called Kawi (another name for the old Javanese language) by the Balinese, who consider it to be their own ancestral language.

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