Since the start of the 20th century, the Balinese have never allowed artistic knowledge to become centralized in a special intellectual class. Everyone down to the simplest peasant can be both an artist and an aesthetically conscious art critic.
In service to religion, each artist strives to make objects well-proportioned and pleasing. New shrines have to be built, relieves renewed, new prayer offerings made, dances and dramas rehearsed, and music practiced continually in order to please gods, appease devils, and honor ancestors.
Bali has a consistent hystiry of the face of assimilation and the harmony of the other culture that entrance. The changings that happen together with the stability have proved now.